{"id":7758,"date":"2025-07-22T04:38:37","date_gmt":"2025-07-22T02:38:37","guid":{"rendered":"https:\/\/festivaldemusicavisualdelanzarote.com\/edition-2025\/"},"modified":"2025-09-22T18:25:01","modified_gmt":"2025-09-22T16:25:01","slug":"edition-2025","status":"publish","type":"page","link":"https:\/\/festivaldemusicavisualdelanzarote.com\/fr\/","title":{"rendered":"EDITION 2025"},"content":{"rendered":"

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_module_preset=\u00a0\u00bbdefault\u00a0\u00bb link_option_url=\u00a0\u00bb#pablo\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/festivaldemusicavisualdelanzarote.com\/wp-content\/uploads\/2025\/07\/PABLO-SANZ.jpg\u00a0\u00bb title_text=\u00a0\u00bbPABLO-SANZ\u00a0\u00bb url=\u00a0\u00bb#carson\u00a0\u00bb use_overlay=\u00a0\u00bbon\u00a0\u00bb overlay_icon_color=\u00a0\u00bb#70BF9D\u00a0\u00bb hover_overlay_color=\u00a0\u00bbrgba(255,255,255,0.49)\u00a0\u00bb hover_icon=\u00a0\u00bb||fa||900″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_enable_color=\u00a0\u00bboff\u00a0\u00bb filter_brightness_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb filter_brightness__hover_enabled=\u00a0\u00bboff|hover\u00a0\u00bb border_radii__hover_enabled=\u00a0\u00bboff|hover\u00a0\u00bb border_radii__hover=\u00a0\u00bbon||||\u00a0\u00bb 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8 Oct<\/strong> | 18.00h <\/p>\n

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Pablo Sanz<\/h2>\n

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\u00ab\u00a0TIBATAJE<\/b><\/h3>\n

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\"\" Sala Cubo :<\/strong> CIC El Almac\u00e9n \"\" Entr\u00e9e libre<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb link_option_url=\u00a0\u00bb#METTE\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/festivaldemusicavisualdelanzarote.com\/wp-content\/uploads\/2025\/07\/METTE-HENRIETTE.jpg\u00a0\u00bb title_text=\u00a0\u00bbMETTE-HENRIETTE\u00a0\u00bb url=\u00a0\u00bb#\u00a0\u00bb use_overlay=\u00a0\u00bbon\u00a0\u00bb overlay_icon_color=\u00a0\u00bb#70BF9D\u00a0\u00bb hover_overlay_color=\u00a0\u00bbrgba(255,255,255,0.49)\u00a0\u00bb hover_icon=\u00a0\u00bb||fa||900″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_enable_color=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb filter_brightness__hover_enabled=\u00a0\u00bboff|hover\u00a0\u00bb border_width_all__hover=\u00a0\u00bb0px\u00a0\u00bb border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb custom_margin=\u00a0\u00bb||15px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

9 Oct<\/strong> | 20.00h<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbAlong Black|800||on|||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb50px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb1.1em\u00a0\u00bb header_2_font=\u00a0\u00bbQuantify||||||||\u00a0\u00bb header_2_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb header_2_font_size=\u00a0\u00bb50px\u00a0\u00bb custom_margin=\u00a0\u00bb||8px|||\u00a0\u00bb header_2_font_size_tablet=\u00a0\u00bb50px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb35px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

METTE HENRIETTE<\/h2>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb\u00a0\u00bb text_font_size_phone=\u00a0\u00bb10px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\"\" Jameos del Agua<\/strong> \"\" 15.00\u20ac<\/span> 15.00\u20ac.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb link_option_url=\u00a0\u00bb#BUGGE\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/festivaldemusicavisualdelanzarote.com\/wp-content\/uploads\/2025\/07\/BUGGE-WESSELTOFT.jpg\u00a0\u00bb title_text=\u00a0\u00bbBUGGE-WESSELTOFT\u00a0\u00bb url=\u00a0\u00bb#\u00a0\u00bb use_overlay=\u00a0\u00bbon\u00a0\u00bb overlay_icon_color=\u00a0\u00bb#70BF9D\u00a0\u00bb hover_overlay_color=\u00a0\u00bbrgba(255,255,255,0.49)\u00a0\u00bb hover_icon=\u00a0\u00bb||fa||900″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_enable_color=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb filter_brightness__hover_enabled=\u00a0\u00bboff|hover\u00a0\u00bb border_width_all__hover=\u00a0\u00bb0px\u00a0\u00bb border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb custom_margin=\u00a0\u00bb||15px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

10 Oct<\/strong> | 20.00h<\/p>\n

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BUGGE WESSELTOFT, ARILD ANDERSEN, SANSKRITI SHRESTHA<\/h2>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb\u00a0\u00bb text_font_size_phone=\u00a0\u00bb10px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\"\" Jameos del Agua<\/strong> \"\" 20.00\u20ac<\/span> 20.00\u20ac 20.00<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb link_option_url=\u00a0\u00bb#ALIZULH\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/festivaldemusicavisualdelanzarote.com\/wp-content\/uploads\/2025\/07\/ALIZULH.jpg\u00a0\u00bb title_text=\u00a0\u00bbALIZULH\u00a0\u00bb url=\u00a0\u00bb#\u00a0\u00bb use_overlay=\u00a0\u00bbon\u00a0\u00bb overlay_icon_color=\u00a0\u00bb#70BF9D\u00a0\u00bb hover_overlay_color=\u00a0\u00bbrgba(255,255,255,0.49)\u00a0\u00bb hover_icon=\u00a0\u00bb||fa||900″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_enable_color=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb filter_brightness__hover_enabled=\u00a0\u00bboff|hover\u00a0\u00bb border_width_all__hover=\u00a0\u00bb0px\u00a0\u00bb border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb custom_margin=\u00a0\u00bb||15px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

11 Oct<\/strong> | 20.00h <\/p>\n

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ALIZULH<\/h2>\n

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\"\" Salle Bu\u00f1uel :<\/strong> CIC El Almac\u00e9n \"\" 5.00\u20ac<\/span> 5.00\u20ac 5.00<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb link_option_url=\u00a0\u00bb#cine\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/festivaldemusicavisualdelanzarote.com\/wp-content\/uploads\/2025\/07\/THE-LAST-AND-FIRST-MEN.jpg\u00a0\u00bb title_text=\u00a0\u00bbLES-DERNIERS-ET-PREMIERS-HOMMES\u00a0\u00bb url=\u00a0\u00bb#\u00a0\u00bb use_overlay=\u00a0\u00bbon\u00a0\u00bb overlay_icon_color=\u00a0\u00bb#70BF9D\u00a0\u00bb hover_overlay_color=\u00a0\u00bbrgba(255,255,255,0.49)\u00a0\u00bb hover_icon=\u00a0\u00bb||fa||900″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_enable_color=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb filter_brightness__hover_enabled=\u00a0\u00bboff|hover\u00a0\u00bb border_width_all__hover=\u00a0\u00bb0px\u00a0\u00bb border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb custom_margin=\u00a0\u00bb||15px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

15 Oct<\/strong> | 20.00h \"\"<\/p>\n

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LES DERNIERS ET LES PREMIERS HOMMES<\/h2>\n

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\"\" Salle Bu\u00f1uel | <\/span><\/strong>CIC El Almac\u00e9n \"\" 3.00\u20ac<\/span>.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb link_option_url=\u00a0\u00bb#SHIDA\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/festivaldemusicavisualdelanzarote.com\/wp-content\/uploads\/2025\/07\/SHIDA-SHAHABI.jpg\u00a0\u00bb title_text=\u00a0\u00bbSHIDA-SHAHABI\u00a0\u00bb url=\u00a0\u00bb#\u00a0\u00bb use_overlay=\u00a0\u00bbon\u00a0\u00bb overlay_icon_color=\u00a0\u00bb#70BF9D\u00a0\u00bb hover_overlay_color=\u00a0\u00bbrgba(255,255,255,0.49)\u00a0\u00bb hover_icon=\u00a0\u00bb||fa||900″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_enable_color=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb filter_brightness__hover_enabled=\u00a0\u00bboff|hover\u00a0\u00bb border_width_all__hover=\u00a0\u00bb0px\u00a0\u00bb border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb custom_margin=\u00a0\u00bb||15px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

16 Oct<\/strong> | 20.00h<\/p>\n

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SHIDA SHAHABI<\/h2>\n

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\"\" Jameos del Agua<\/strong> \"\" 15.00\u20ac<\/span> 15.00\u20ac.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb link_option_url=\u00a0\u00bb#LAJALADA\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/festivaldemusicavisualdelanzarote.com\/wp-content\/uploads\/2025\/07\/LAJALADA.jpg\u00a0\u00bb title_text=\u00a0\u00bbLAJALADA\u00a0\u00bb url=\u00a0\u00bb#\u00a0\u00bb use_overlay=\u00a0\u00bbon\u00a0\u00bb overlay_icon_color=\u00a0\u00bb#70BF9D\u00a0\u00bb hover_overlay_color=\u00a0\u00bbrgba(255,255,255,0.49)\u00a0\u00bb hover_icon=\u00a0\u00bb||fa||900″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_enable_color=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb filter_brightness__hover_enabled=\u00a0\u00bboff|hover\u00a0\u00bb border_width_all__hover=\u00a0\u00bb0px\u00a0\u00bb border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb custom_margin=\u00a0\u00bb||15px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

17 Oct<\/strong> | 20.00h<\/p>\n

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LAJALADA<\/h2>\n

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\"\" Cueva de los Verdes<\/strong> \"\" 10.00\u20ac<\/span> 10.00<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb link_option_url=\u00a0\u00bb#KEELEY\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/festivaldemusicavisualdelanzarote.com\/wp-content\/uploads\/2025\/07\/KEELEY-FORSYTH.jpg\u00a0\u00bb title_text=\u00a0\u00bbKEELEY-FORSYTH\u00a0\u00bb url=\u00a0\u00bb#\u00a0\u00bb use_overlay=\u00a0\u00bbon\u00a0\u00bb overlay_icon_color=\u00a0\u00bb#70BF9D\u00a0\u00bb hover_overlay_color=\u00a0\u00bbrgba(255,255,255,0.49)\u00a0\u00bb hover_icon=\u00a0\u00bb||fa||900″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_enable_color=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb filter_brightness__hover_enabled=\u00a0\u00bboff|hover\u00a0\u00bb border_width_all__hover=\u00a0\u00bb0px\u00a0\u00bb border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb custom_margin=\u00a0\u00bb||15px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

18 Oct<\/strong> | 20.00h<\/p>\n

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KEELEY FORSYTH<\/h2>\n

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\u00ab\u00a0Tour de chant et de piano<\/h3>\n

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\"\" Jameos del Agua<\/strong> \"\" 15.00\u20ac<\/span> 15.00\u20ac.<\/p>\n

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8 OCT |<\/strong> 18:00HS<\/p>\n

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PABLO SANZ<\/h2>\n

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\u00ab\u00a0Tibataje<\/h3>\n

Affections auditives des \u00eeles Canaries<\/b><\/h3>\n

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Inauguration de l’installation sonore, qui sera ouverte au public jusqu’au samedi 18 octobre.<\/span><\/strong><\/p>\n

[\/et_pb_text][et_pb_text content_tablet=\u00a0\u00bb<\/p>\n

%22%22 %22%22 Salle Bu\u00f1uel :<\/strong> CIC El Almac\u00e9n 3.00\u20ac.<\/p>\n

\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n

%22%22 Salle Bu\u00f1uel |<\/strong> CIC El Almac\u00e9n <\/p>\n

%22%22 3.00\u20ac<\/p>\n

\u00a0\u00bb content_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#444444″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb20px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb15px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\"\" Salle Cube<\/strong>:<\/strong> CIC El Almac\u00e9n<\/p>\n

\"\" Entr\u00e9e gratuite<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbMontserrat||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]TIBATAJE est une installation sonore immersive multicanal qui explore les \u00e9cologies sonores de l’archipel des Canaries \u00e0 partir d’une \u00e9coute \u00e9largie, incarn\u00e9e et profonde, attentive \u00e0 la vitalit\u00e9 des formes de vie et des mat\u00e9rialit\u00e9s plus qu’humaines. Le projet est issu d’un processus de recherche artistique et de travail sur le terrain dans sept des \u00eeles, y compris des enregistrements r\u00e9alis\u00e9s dans la zone d’exclusion pendant l’\u00e9ruption du volcan Tajogaite \u00e0 La Palma. <\/p>\n

En utilisant de multiples modes d’\u00e9coute et des techniques phonographiques qui traversent l’air, l’eau, le sol et d’autres mat\u00e9rialit\u00e9s sensibles, l’\u0153uvre plonge dans un r\u00e9seau vibrant de mati\u00e8re et d’\u00e9nergie, s’int\u00e9ressant \u00e0 ce qui se situe aux marges de la perception et de l’attention. C’est ainsi que se d\u00e9ploie un flux sonore dans lequel s’entrem\u00ealent les expressions du vent, de l’oc\u00e9an, de la terre, de la v\u00e9g\u00e9tation, de diverses esp\u00e8ces animales et de l’action humaine. <\/p>\n

L’installation pr\u00e9sente une composition sonore spatiale, sans images, qui est con\u00e7ue comme un espace partag\u00e9 d’\u00e9coute intime et prolong\u00e9e, o\u00f9 chaque personne est invit\u00e9e \u00e0 participer activement par son \u00e9coute, comprise comme une forme de pr\u00e9sence et de co-cr\u00e9ation.<\/p>\n

L’\u00e9coute est consid\u00e9r\u00e9e ici comme une pratique relationnelle, sensorielle et potentiellement transformatrice : une forme d’attention active et situ\u00e9e qui int\u00e8gre le corps, le mental et l’affectif.<\/p>\n

Au-del\u00e0 des approches conventionnelles du \u00ab\u00a0paysage sonore\u00a0\u00bb et des visions id\u00e9alis\u00e9es de la \u00ab\u00a0nature\u00a0\u00bb, TIBATAJE consid\u00e8re l’\u00e9coute comme un acte cr\u00e9atif, politique et \u00e9cologique, visant \u00e0 r\u00e9sister aux modes dominants de relation au monde et \u00e0 cultiver des mani\u00e8res moins anthropocentriques de sentir, de penser et d’habiter.<\/p>\n

TIBATAJE est pr\u00e9sent\u00e9 pour la premi\u00e8re fois, de mani\u00e8re in\u00e9dite, dans le cadre d’une coproduction entre le Festival de M\u00fasica Visual de Lanzarote et le Festival Contempor\u00e1neo du Festival Internacional de M\u00fasica de Canarias.<\/p>\n

Collaboration \u00e0 la recherche artistique et au travail de production : Palma E. Christian Mart\u00ednez.<\/p>\n

Nous remercions tout particuli\u00e8rement le parc national de Timanfaya, le parc national de Teide et le parc national de Garajonay, ainsi que les volcanologues Poly Carracedo et Vicente Soler (IPNA-CSIC), qui ont facilit\u00e9 le travail sur le terrain.<\/p>\n

Avec le soutien du Bureau culturel de l’Ambassade d’Espagne \u00e0 Washington, D.C., qui a rendu possible une partie du travail de terrain sur lequel ce projet est bas\u00e9.<\/p>\n

——-<\/p>\n

Pablo Sanz est un artiste bas\u00e9 \u00e0 Gran Canaria et \u00e0 Madrid. Son travail comprend des projets sp\u00e9cifiques, de l’art public, des installations et des concerts audio spatiaux immersifs, ainsi que des compositions pr\u00e9sent\u00e9es dans des expositions, \u00e0 la radio et dans des publications. <\/p>\n

Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans des institutions et festivals internationaux tels que le Museo Reina Sof\u00eda, Matadero (Madrid), Centro Atl\u00e1ntico de Arte Moderno (Gran Canaria), MuseumsQuartier (Vienne), Pratt Manhattan Gallery (New York), STRP (Eindhoven) et Cafe Oto (Londres), entre autres.<\/p>\n

Il a particip\u00e9 \u00e0 de nombreuses r\u00e9sidences artistiques et a re\u00e7u des prix et des soutiens, comme le prix Phonurgia Nova pour strange strangers, une \u0153uvre command\u00e9e par la radio tch\u00e8que et publi\u00e9e par le label Vertical Music.<\/p>\n

Il est titulaire d’un doctorat en arts sonores du SARC (Centre for Interdisciplinary Research in Sound and Music) de l’universit\u00e9 Queen’s de Belfast. Il a donn\u00e9 des s\u00e9minaires et des ateliers dans plusieurs pays, collabore en tant que charg\u00e9 de cours au master en composition \u00e9lectroacoustique au CSKG et \u00e0 l’Universidad Aut\u00f3noma de Madrid, et organise des programmes publics tels que Ecologies of Listening et Situated Listening \u00e0 La Casa Encendida.[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb–et_global_body_font||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb link_font=\u00a0\u00bb|700|||||||\u00a0\u00bb link_text_color=\u00a0\u00bb#70BF9D\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Audio – https:\/\/soundcloud.com\/pablosanz<\/a><\/span><\/p>\n

Audio – https:\/\/pablosanz.bandcamp.com\/<\/a><\/span><\/p>\n

Site web – https:\/\/pablosanz.info<\/a><\/span><\/p>\n

IG – https:\/\/www.instagram.com\/pablosanzalmoguera<\/a><\/span><\/p>\n

Facebook – https:\/\/www.facebook.com\/pablooosanz<\/a><\/span><\/p>\n

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src=\u00a0\u00bbhttps:\/\/festivaldemusicavisualdelanzarote.com\/wp-content\/uploads\/2025\/07\/METTE-HENRIETTE.jpg\u00a0\u00bb title_text=\u00a0\u00bbMETTE-HENRIETTE\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#3C120F\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

9 OCT |<\/strong> 20:00HS<\/p>\n

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METTE HENRIETTE<\/h2>\n

[\/et_pb_text][et_pb_text content_tablet=\u00a0\u00bb<\/p>\n

%22%22 %22%22 Salle Bu\u00f1uel :<\/strong> CIC El Almac\u00e9n 3.00\u20ac.<\/p>\n

\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n

%22%22 Salle Bu\u00f1uel |<\/strong> CIC El Almac\u00e9n <\/p>\n

%22%22 3.00\u20ac<\/p>\n

\u00a0\u00bb content_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#444444″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb20px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb15px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\"\" Jameos del Agua<\/strong><\/p>\n

\"\" 15\u20ac<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbMontserrat||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

La collaboration entre la saxophoniste et compositrice norv\u00e9gienne Mette Henriette<\/strong>, le pianiste Johan Lindvall <\/strong>et la violoncelliste australienne Judith Hamann<\/strong> donne naissance \u00e0 une musique de chambre contemporaine qui d\u00e9fie les \u00e9tiquettes et \u00e9volue entre le jazz d’avant-garde, l’improvisation libre et la musique classique moderne. Leur approche est profond\u00e9ment introspective et texturale, avec une attention m\u00e9ticuleuse au silence et \u00e0 l’espace. <\/p>\n

Ensemble, ce trio cr\u00e9e une sonorit\u00e9 particuli\u00e8re o\u00f9 le saxophone d’Henriette chante souvent des m\u00e9lodies m\u00e9lancoliques et suspendues sur l’accompagnement m\u00e9ditatif du piano de Lindvall et les r\u00e9sonances complexes du violoncelle de Hamann. Sa musique est une invitation \u00e0 une \u00e9coute profonde, r\u00e9v\u00e9lant des motifs subtils et des surprises dans un flux constant de tons et de textures, souvent avec une qualit\u00e9 presque cin\u00e9matographique. C’est une exploration de l’intimit\u00e9 musicale, o\u00f9 chaque note et chaque silence ont un poids important. <\/p>\n

——-<\/p>\n

Mette Henriette est une compositrice, saxophoniste improvisatrice et chef d’orchestre sami-norv\u00e9gienne qui travaille dans diverses disciplines cr\u00e9atives. Attir\u00e9e par l’inconnu, ses premi\u00e8res ann\u00e9es ont \u00e9t\u00e9 forg\u00e9es par diverses exp\u00e9riences, depuis ses \u00e9tudes \u00e0 l’Acad\u00e9mie norv\u00e9gienne de musique et \u00e0 la School for Improvisational Music de New York, jusqu’\u00e0 ses voyages musicaux au Tadjikistan et en Afrique de l’Ouest. <\/p>\n

Son premier disque chez ECM Records, Mette Henriette (2015)<\/strong>, est un double album de musique originale pour trio et grand ensemble, produit par Manfred Eicher. L’album a re\u00e7u un accueil international et The Guardian l’a d\u00e9crite comme \u00ab\u00a0une \u00e9toile montante de la musique contemporaine\u00a0\u00bb. Son deuxi\u00e8me album, Drifting (2023)<\/strong>, a \u00e9t\u00e9 nomm\u00e9 meilleur album de l’ann\u00e9e par DownBeat. <\/p>\n

En tourn\u00e9e internationale depuis plus de dix ans, Mette Henriette s’est produite dans des lieux tels que Barbican Hall, Berliner Festspiele, Dark Mofo, documenta14, Flagey, Moldejazz, Mus\u00e9e d’Orsay, Op\u00e9ra d’Oslo, Ultima International Contemporary Festival, Rewire, Riddu Riddu et l’Atlanta Jazz Festival. Elle cr\u00e9e elle-m\u00eame les \u00e9clairages et les d\u00e9cors de ses performances live, sculptant une dramaturgie spatiale et visuelle en dialogue avec sa musique. <\/p>\n

Son cycle orchestral Overture I-III (2020)<\/strong> a \u00e9t\u00e9 command\u00e9 par l’Orchestre philharmonique d’Oslo et cr\u00e9\u00e9 sous la direction de Klaus M\u00e4kel\u00e4. Chacune des trois \u0153uvres peut \u00eatre jou\u00e9e individuellement ou faire partie du cycle complet. Elles ont depuis \u00e9t\u00e9 interpr\u00e9t\u00e9es par le Hall\u00e9 au Bridgewater Hall et par l’orchestre symphonique de l’Acad\u00e9mie norv\u00e9gienne de musique. Il a \u00e9galement compos\u00e9 une \u0153uvre pour orchestre \u00e0 cordes pour l’Arctic Philharmonic, dont la premi\u00e8re a eu lieu dans une mine de charbon au Svalbard, ainsi que des pi\u00e8ces de chambre et des pi\u00e8ces pour soliste pour Cikada et le violoniste Eldbj\u00f8rg Hemsing. <\/p>\n

Mette Henriette a collabor\u00e9 avec des artistes de renom tels que Marina Abramovi\u0107 et Nicolas Jaar, et en 2023, elle a \u00e9t\u00e9 mentor de la r\u00e9sidence du Montreux Jazz Festival.<\/p>\n

Mette Henriette<\/strong> – sax \/ saxophone<\/p>\n

Judith Hamann<\/strong> – violoncelle<\/p>\n

Johan Lindvall<\/strong> – piano<\/p>\n

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Audio – https:\/\/open.spotify.com\/intl-es\/artist\/mettehenriette<\/a><\/span><\/p>\n

Site web – mettehenriette.com<\/a><\/span><\/p>\n

IG – instagram.com\/mettehenriette<\/a><\/span> (@mettehenriette)<\/p>\n

Facebook – facebook.com\/mettehenriette<\/a><\/span> (@mettehenriette)<\/p>\n

YouTube – youtube.com\/mettehenriette<\/a><\/span><\/p>\n

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10 OCT |<\/strong> 20:00HS<\/p>\n

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BUGGE WESSELTOFT, ARILD ANDERSEN, SANSKRITI SHRESTHA<\/h2>\n

[\/et_pb_text][et_pb_text content_tablet=\u00a0\u00bb<\/p>\n

%22%22 %22%22 Salle Bu\u00f1uel :<\/strong> CIC El Almac\u00e9n 3.00\u20ac.<\/p>\n

\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n

%22%22 Salle Bu\u00f1uel |<\/strong> CIC El Almac\u00e9n <\/p>\n

%22%22 3.00\u20ac<\/p>\n

\u00a0\u00bb content_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#444444″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb20px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb15px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\"\" Jameos del Agua<\/strong><\/p>\n

\"\" 20\u20ac<\/p>\n

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Ce sera une soir\u00e9e unique de jazz exp\u00e9rimental avec un trio de virtuoses red\u00e9finissant les limites du genre. L’incomparable Bugge Wesseltoft est rejoint par le l\u00e9gendaire contrebassiste Arild Andersen et le percussionniste novateur Sanskriti Shrestha pour pr\u00e9senter un r\u00e9pertoire qui fusionne l’\u00e9tabli et l’inattendu. <\/p>\n

Lorsque ces trois musiciens se r\u00e9unissent, il en r\u00e9sulte une exp\u00e9rience sonore riche et diversifi\u00e9e. L’esprit novateur de Wesseltoft aux claviers, la solidit\u00e9 et la profondeur de la contrebasse d’Andersen et les percussions rythmiques et textur\u00e9es des tablas de Shrestha s’entrem\u00ealent pour cr\u00e9er un dialogue musical o\u00f9 les fronti\u00e8res entre le jazz acoustique, l’\u00e9lectronique, les improvisations et les influences de la musique du monde s’estompent. <\/p>\n

Ce concert est non seulement l’occasion d’entendre les compositions originales du trio tir\u00e9es du dernier album de Wesseltoft, \u00ab\u00a0AM ARE\u00a0\u00bb, mais aussi de revisiter les standards de Bugge Wesseltoft et d’explorer les propres compositions de chacun de ces extraordinaires musiciens.<\/p>\n

Cette collaboration promet une soir\u00e9e o\u00f9 l’improvisation, la m\u00e9lodie et la tradition rencontrent l’avant-garde, dans un format trio inhabituel qui promet de surprendre et d’\u00e9mouvoir.<\/p>\n

——-<\/p>\n

Bugge Wesseltoft<\/strong> est un pianiste, clavi\u00e9riste, compositeur et producteur norv\u00e9gien influent, reconnu dans le monde entier comme une figure cl\u00e9 de l’\u00e9volution du jazz contemporain<\/strong> et de la cr\u00e9ation du son \u00ab\u00a0nu jazz\u00a0\u00bb ou \u00ab\u00a0future jazz\u00a0\u00bb \u00e0 partir du milieu des ann\u00e9es 1990. Wesseltoft reste une force cr\u00e9atrice active, constamment \u00e0 la recherche de nouvelles formes d’expression musicale et red\u00e9finissant ce que le jazz signifie au XXIe si\u00e8cle. <\/p>\n

Arild Andersen<\/strong> est sans aucun doute l’un des contrebassistes de jazz les plus influents et les plus respect\u00e9s<\/strong> d’Europe<\/strong> depuis le d\u00e9but des ann\u00e9es 1970. Sa carri\u00e8re, qui s’\u00e9tend sur plus de cinq d\u00e9cennies, a fait de lui un pilier de la sc\u00e8ne internationale du jazz. R\u00e9compens\u00e9 par de nombreux prix et distinctions, Andersen reste une figure essentielle du jazz, faisant preuve d’une cr\u00e9ativit\u00e9 in\u00e9puisable, d’un groove contagieux et d’un lien profond avec la tradition et l’avant-garde. <\/p>\n

Sanskriti Shrestha<\/strong> est une joueuse de tabla<\/strong> et compositrice innovante d’origine n\u00e9palaise. Sa carri\u00e8re musicale se distingue par sa capacit\u00e9 \u00e0 fusionner les riches traditions percussives de l’Inde et du N\u00e9pal avec les sonorit\u00e9s du jazz, de la musique \u00e9lectronique et de l’improvisation contemporaine. Percussionniste virtuose, elle est aussi une compositrice imaginative qui cherche constamment \u00e0 jeter des ponts entre l’ancien et le nouveau, l’occidental et l’oriental, le compos\u00e9 et l’improvis\u00e9, faisant du tabla un instrument cl\u00e9 de la sc\u00e8ne musicale contemporaine. <\/p>\n

Bugge Wesseltoft<\/strong> – piano et touches \/ piano et touches<\/p>\n

Arild Andersen<\/strong> – contrebasse \/ contrebasse<\/p>\n

Sanskriti Shrestha<\/strong> – planches\/tablettes<\/p>\n

Ildefonso Aguilar<\/strong> – effets visuels \/ effets visuels<\/p>\n

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Audio – https:\/\/open.spotify.com\/intl-es\/artist\/buggewesseltoft<\/a><\/span><\/p>\n

Site web – https:\/\/www.buggewesseltoft.com\/<\/a><\/span><\/p>\n

IG – https:\/\/www.instagram.com\/buggewesseltoft\/?hl=es<\/a><\/span><\/p>\n

YouTube – https:\/\/www.youtube.com\/@buggew<\/a><\/span><\/p>\n

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11 OCT |<\/strong> 20:00HS<\/p>\n

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ALIZULH<\/h2>\n

[\/et_pb_text][et_pb_text content_tablet=\u00a0\u00bb<\/p>\n

%22%22 %22%22 Salle Bu\u00f1uel :<\/strong> CIC El Almac\u00e9n 3.00\u20ac.<\/p>\n

\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n

%22%22 Salle Bu\u00f1uel |<\/strong> CIC El Almac\u00e9n <\/p>\n

%22%22 3.00\u20ac<\/p>\n

\u00a0\u00bb content_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#444444″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb20px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb15px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\"\" Salle Bu\u00f1uel <\/strong>| CIC El Almac\u00e9n<\/p>\n

\"\" 5\u20ac<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbMontserrat||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

ALIZULH<\/strong> est un projet de recherche sonore et de musique \u00e9lectronique de Gran Canaria, en Espagne. Le duo est form\u00e9 par H\u00e9ctor Matacherry<\/strong> (aka Anhelo) et Santi P\u00e9rez<\/strong> (aka Svesda). <\/p>\n

Alizulh signifie joie et c’est ainsi que les Ph\u00e9niciens ont baptis\u00e9 les \u00eeles Canaries \u00e0 leur arriv\u00e9e. Il se caract\u00e9rise par l’exploration de sonorit\u00e9s \u00e9lectroniques et \u00e9lectroacoustiques<\/strong>, en les fusionnant avec des \u00e9l\u00e9ments organiques et quotidiens. Ils incorporent des sons de la vie quotidienne et de leur environnement imm\u00e9diat, cr\u00e9ant ainsi des paysages sonores \u00e9th\u00e9r\u00e9s et souvent \u00e9vocateurs. Ils utilisent des synth\u00e9tiseurs et des enregistrements de terrain comme composants principaux, cherchant \u00e0 transmettre des \u00e9motions et des r\u00e9cits \u00e0 travers l’atmosph\u00e8re musicale. <\/p>\n

N\u00e9 \u00e0 l’\u00e9t\u00e9 2022, ALIZULH a d\u00e9j\u00e0 pr\u00e9sent\u00e9 sa proposition dans divers espaces culturels de Gran Canaria et a sorti des singles tels que \u00ab\u00a0In Your Arms\u00a0\u00bb et \u00ab\u00a0El Viento en su Boca\u00a0\u00bb, ce dernier en collaboration avec l’artiste multidisciplinaire Madkatala. Ils ont publi\u00e9 un premier album sous le label Lambada Records. <\/p>\n

H\u00e9ctor Matacherry<\/strong> – piano et synth\u00e9tiseurs \/ piano y sintetizadores \/ piano and synthesizers<\/p>\n

Santi P\u00e9rez<\/strong> – voix, guitare et synth\u00e9tiseurs \/ voix, guitare et synth\u00e9tiseurs<\/p>\n

Ildefonso Aguilar<\/strong> – effets visuels<\/p>\n

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Vid\u00e9o : Dans vos bras – https:\/\/www.youtube.com\/watch?v=OFzO6DLxQHY<\/a><\/span><\/p>\n

Audio – https:\/\/open.spotify.com\/intl-es\/artist\/Alizulh<\/a><\/span><\/p>\n

IG – https:\/\/www.instagram.com\/alizulh_\/<\/a><\/span><\/p>\n

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_module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb90%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ module_class=\u00a0\u00bbds-vertical-align\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_button button_url=\u00a0\u00bbhttps:\/\/culturalanzarote.sacatuentrada.es\/es\/entradas\/alizulh\/2025-10-11″ url_new_window=\u00a0\u00bbon\u00a0\u00bb button_text=\u00a0\u00bbACHETER UN BILLET\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb16px\u00a0\u00bb button_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb button_bg_color=\u00a0\u00bb#70BF9D\u00a0\u00bb button_border_width=\u00a0\u00bb0px\u00a0\u00bb button_border_radius=\u00a0\u00bb0px\u00a0\u00bb 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_builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/festivaldemusicavisualdelanzarote.com\/wp-content\/uploads\/2025\/07\/THE-LAST-AND-FIRST-MEN.jpg\u00a0\u00bb title_text=\u00a0\u00bbLES-DERNIERS-ET-PREMIERS-HOMMES\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#3C120F\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

15 OCT |<\/strong> 20:00HS<\/p>\n

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LES DERNIERS ET LES PREMIERS HOMMES<\/h2>\n

[\/et_pb_text][et_pb_text content_tablet=\u00a0\u00bb<\/p>\n

%22%22 %22%22 Salle Bu\u00f1uel :<\/strong> CIC El Almac\u00e9n 3.00\u20ac.<\/p>\n

\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n

%22%22 Salle Bu\u00f1uel |<\/strong> CIC El Almac\u00e9n <\/p>\n

%22%22 3.00\u20ac<\/p>\n

\u00a0\u00bb content_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#444444″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb20px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb15px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\"\" Salle Bu\u00f1uel <\/strong>| CIC El Almac\u00e9n<\/p>\n

\"\" 3.00\u20ac<\/p>\n

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\u00ab\u00a0Last and First Men\u00a0\u00bb<\/strong> est un film posthume unique du c\u00e9l\u00e8bre compositeur islandais J\u00f3hann J\u00f3hannsson<\/strong>, dont nous avons eu la chance d’assister \u00e0 l’un de ses derniers concerts en direct lors de l’\u00e9dition 2017 de ce festival.<\/p>\n

Connu pour son approche plus proche de l’installation artistique audiovisuelle<\/strong> ou de l’essai cin\u00e9matographique<\/strong> que du r\u00e9cit traditionnel, ce film est sorti en 2020, deux ans apr\u00e8s sa mort, et constitue son seul long m\u00e9trage en tant que r\u00e9alisateur.<\/p>\n

Librement inspir\u00e9 du roman de science-fiction du m\u00eame nom \u00e9crit par Olaf Stapledon (1930), le film est une profonde m\u00e9ditation sur l’\u00e9volution, la d\u00e9cadence et le destin ultime de l’humanit\u00e9<\/strong>, deux milliards d’ann\u00e9es dans le futur. La pr\u00e9misse centrale est un message que la derni\u00e8re civilisation humaine, au bord de l’extinction dans un futur lointain, envoie \u00e0 l’humanit\u00e9 du pr\u00e9sent. <\/p>\n

\u00ab\u00a0The Last and First Men est une \u0153uvre qui se pr\u00eate \u00e0 une \u00e9coute et \u00e0 une contemplation profondes<\/strong>. Elle est d\u00e9pourvue de dialogue, d’intrigue lin\u00e9aire ou de pr\u00e9sence physique d’acteurs humains. Au contraire, elle invite le spectateur \u00e0 une exp\u00e9rience sensorielle et philosophique sur le temps, la m\u00e9moire, l’extinction et la beaut\u00e9 dans la ruine. C’est un t\u00e9moignage \u00e9mouvant de la vision artistique de J\u00f3hann J\u00f3hannsson et l’une des \u0153uvres les plus originales et les plus audacieuses de la science-fiction r\u00e9cente. <\/p>\n

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Bande-annonce<\/a><\/strong><\/p>\n

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16 OCT |<\/strong> 20:00HS<\/p>\n

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SHIDA SHAHABI<\/h2>\n

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%22%22 %22%22 Salle Bu\u00f1uel :<\/strong> CIC El Almac\u00e9n 3.00\u20ac.<\/p>\n

\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n

%22%22 Salle Bu\u00f1uel |<\/strong> CIC El Almac\u00e9n <\/p>\n

%22%22 3.00\u20ac<\/p>\n

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\"\" Jameos del Agua<\/strong><\/p>\n

\"\" 15\u20ac<\/p>\n

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L’artiste su\u00e9do-iranienne Shida Shahabi<\/strong> se produit en concert pour r\u00e9v\u00e9ler l’atmosph\u00e8re immersive de son dernier album acclam\u00e9, \u00ab\u00a0Living Circle\u00a0\u00bb<\/strong>. Connue pour sa capacit\u00e9 \u00e0 cr\u00e9er des paysages sonores qui touchent l’\u00e2me, Shahabi transcende les \u00e9tiquettes avec une musique qui se situe quelque part entre le n\u00e9oclassique, l’ambiant et l’\u00e9lectronique exp\u00e9rimentale. <\/p>\n

\u00ab\u00a0Living Circle\u00a0\u00bb marque une \u00e9volution dans le son de Shahabi, qui fait passer l’intimit\u00e9 de son premier album \u00ab\u00a0Homes\u00a0\u00bb \u00e0 un domaine orchestral plus expansif. Ses compositions, souvent n\u00e9es de l’improvisation, se d\u00e9ploient lentement, r\u00e9v\u00e9lant des couches de textures profondes, des bourdons \u00e9th\u00e9r\u00e9s et la pr\u00e9sence m\u00e9lodieuse d’instruments tels que le piano (son instrument principal), le violoncelle, la contrebasse et, \u00e0 l’occasion, des ch\u0153urs c\u00e9lestes. <\/p>\n

En direct, la musique de Shida Shahabi se transforme en une exp\u00e9rience immersive. Il ne s’agit pas d’un concert pour le bruit, mais pour l’\u00e9coute profonde et la contemplation<\/strong>. Ses pi\u00e8ces, de longue dur\u00e9e, invitent le public \u00e0 se laisser porter par les mar\u00e9es sonores, \u00e0 s’immerger dans des atmosph\u00e8res qui peuvent \u00eatre m\u00e9lancoliques, pleines d’espoir ou d’une beaut\u00e9 d\u00e9solante. C’est une occasion unique de d\u00e9couvrir la subtilit\u00e9 et la force \u00e9motionnelle de l’une des voix les plus singuli\u00e8res de la musique contemporaine, au cours d’une soir\u00e9e o\u00f9 chaque note et chaque silence ont une raison d’\u00eatre et un impact profond. <\/p>\n

——-<\/p>\n

Shida Shahabi, n\u00e9e en 1989, s’est int\u00e9ress\u00e9e tr\u00e8s t\u00f4t \u00e0 la musique, qu’elle a compl\u00e9t\u00e9e par des \u00e9tudes d’art \u00e0 l’Institut royal des arts de Stockholm \u00e0 partir de 2009. Apr\u00e8s avoir obtenu son dipl\u00f4me, elle a travaill\u00e9 comme musicienne ind\u00e9pendante et a commenc\u00e9 \u00e0 composer pour la danse, le cin\u00e9ma, le th\u00e9\u00e2tre et l’art. <\/p>\n

Son premier album, \u00ab\u00a0Homes\u00a0\u00bb (2018)<\/strong>, acclam\u00e9 par la critique, a \u00e9t\u00e9 suivi de l’EP \u00ab\u00a0Shifts\u00a0\u00bb et de diverses collaborations, dont une r\u00e9interpr\u00e9tation de Beethoven. Il a \u00e9galement compos\u00e9 des bandes originales pour des courts-m\u00e9trages tels que \u00ab\u00a0Lake on Fire\u00a0\u00bb (2020) et \u00ab\u00a0Alvaret\u00a0\u00bb (2021), ainsi que pour les longs-m\u00e9trages \u00ab\u00a0Lovely, Dark and Deep\u00a0\u00bb (2023)<\/strong> et le film prim\u00e9 \u00ab\u00a0Falcon Lake\u00a0\u00bb (2022<\/strong>). <\/p>\n

En 2023, il sort son deuxi\u00e8me album, \u00ab\u00a0Living Circle\u00a0\u00bb<\/strong>, qui combine des \u00e9l\u00e9ments classiques et \u00e9lectroniques pour cr\u00e9er des compositions atmosph\u00e9riques. La m\u00eame ann\u00e9e, il compose la musique de la pi\u00e8ce de danse \u00ab\u00a0Sylph\u00a0\u00bb de Halla Olafsd\u00f3ttir. Shahabi a \u00e9galement particip\u00e9 \u00e0 de grands \u00e9v\u00e9nements en direct, tels que le festival Reflektor de Max Richter et Yulia Mahr. <\/p>\n

Shida Shahabi<\/strong> – piano, effets et touches \/ piano, effets et touches<\/p>\n

Linnea Olsson<\/strong> – violoncelle \/ violoncelle<\/p>\n

Hampus Nor\u00e9n<\/strong> – \u00e9lectronique et clavier \/ \u00e9lectronique et clavier<\/p>\n

Ildefonso Aguilar<\/strong> – effets visuels \/ effets visuels<\/p>\n

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Vid\u00e9o : Violet profond de Glod – https:\/\/www.youtube.com\/watch?v=OQqPGSzisvQ<\/a><\/span><\/p>\n

Audio – https:\/\/open.spotify.com\/intl-es\/shidashahabi<\/a><\/span><\/p>\n

Site web – https:\/\/shidashahabi.com\/<\/a><\/span><\/p>\n

YouTube – https:\/\/www.youtube.com\/channel\/UCOoMtW2JTcNybWDu0fyVggg<\/a><\/span><\/p>\n

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17 OCT |<\/strong> 20:00HS<\/p>\n

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LAJALADA<\/h2>\n

[\/et_pb_text][et_pb_text content_tablet=\u00a0\u00bb<\/p>\n

%22%22 %22%22 Salle Bu\u00f1uel :<\/strong> CIC El Almac\u00e9n 3.00\u20ac.<\/p>\n

\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n

%22%22 Salle Bu\u00f1uel |<\/strong> CIC El Almac\u00e9n <\/p>\n

%22%22 3.00\u20ac<\/p>\n

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\"\" Grotte des Verts<\/strong><\/p>\n

\"\" 10\u20ac<\/p>\n

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LAJALADA est le projet solo de la chanteuse et compositrice Bel\u00e9n A. Doreste. N\u00e9 comme une \u00e9volution naturelle apr\u00e8s son passage au sein de Bel Bee Bee, le projet se fraie un chemin entre la musique \u00e9lectronique et la chanson la plus intime. Aujourd’hui, LAJALADA entre dans une phase o\u00f9 il unit la cr\u00e9ation acoustique et artisanale avec les d\u00e9veloppements, les traitements et les sonorit\u00e9s du monde \u00e9lectronique dans une conception purement paysag\u00e8re. <\/p>\n

Dans cette nouvelle \u00e9tape, LAJALADA se pr\u00e9sente en solo, int\u00e9grant guitare, pads, boucles, percussions acoustiques et \u00e9lectroniques et voix comme ligne narrative. La proposition se concentre sur la musique en tant que paysage sonore et noyau expressif, jamais \u00e0 la merci d’une forme sp\u00e9cifique, enrichie par des textures \u00e9lectroniques qui amplifient sa port\u00e9e sans perdre son essence intime. <\/p>\n

Un concert de Lajalada est une invitation \u00e0 un voyage sonore o\u00f9 la tradition et l’avant-garde se rencontrent, offrant une vision unique et contemporaine des racines musicales des \u00eeles Canaries \u00e0 travers une lentille \u00e9lectronique et exp\u00e9rimentale.<\/p>\n

Bel\u00e9n A. Doreste<\/strong> – efectos. guitarra, teclado y visuales \/ effects, guitarra, keys and visuals <\/p>\n

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Vid\u00e9o : Princesse p\u00e8lerine – https:\/\/www.youtube.com\/watch?v=eGzpDnPm1rQ<\/a><\/span><\/p>\n

Audio – https:\/\/open.spotify.com\/intl-es\/artist\/lajalada<\/a><\/span><\/p>\n

IG – instagram.com\/lajaladamusic<\/a><\/span> (@lajaladamusic)<\/p>\n

Facebook – facebook.com\/lajaladamusic\/<\/a><\/span> (@lajaladamusic)<\/p>\n

YouTube – youtube.com\/@lajalada<\/a><\/span><\/p>\n

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18 OCT |<\/strong> 20:00HS<\/p>\n

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KEELEY FORSYTH<\/h2>\n

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\u00ab\u00a0Tour de chant et de piano<\/h3>\n

[\/et_pb_text][et_pb_text content_tablet=\u00a0\u00bb<\/p>\n

%22%22 %22%22 Salle Bu\u00f1uel :<\/strong> CIC El Almac\u00e9n 3.00\u20ac.<\/p>\n

\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n

%22%22 Salle Bu\u00f1uel |<\/strong> CIC El Almac\u00e9n <\/p>\n

%22%22 3.00\u20ac<\/p>\n

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\"\" Jameos del Agua<\/strong><\/p>\n

\"\" 15\u20ac<\/p>\n

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La chanteuse acclam\u00e9e Keeley Forsyth<\/strong> pr\u00e9sente un spectacle unique et intime, accompagn\u00e9e au piano par Matthew Bourne<\/strong>.<\/p>\n

Avec plusieurs albums acclam\u00e9s par la critique \u00e0 son actif, Forsyth s’est impos\u00e9e comme une artiste exceptionnelle et recherch\u00e9e, connue pour l’\u00e9motion brute de ses capacit\u00e9s vocales uniques<\/strong> et sa pr\u00e9sence saisissante sur sc\u00e8ne.<\/p>\n

Ce concert promet d’\u00eatre une exp\u00e9rience d’\u00e9coute profond\u00e9ment \u00e9mouvante, immersive et authentique. La collaboration entre Forsyth et Bourne r\u00e9unit la voix unique et \u00e9vocatrice de la chanteuse et actrice britannique et la virtuosit\u00e9 exp\u00e9rimentale du pianiste et compositeur, forgeant une alliance musicale d\u00e9crite comme \u00ab\u00a0d\u00e9pouill\u00e9e, honn\u00eate et audacieuse\u00a0\u00bb. Leur travail commun, comme en t\u00e9moigne leur r\u00e9cent EP \u00ab\u00a0Hand To Mouth\u00a0\u00bb, se concentre sur une instrumentation minimaliste pour un impact \u00e9motionnel maximal. Les compositions sont aust\u00e8res mais pleines d’intentions, cr\u00e9ant une atmosph\u00e8re gothique, n\u00e9oclassique et, parfois, presque m\u00e9di\u00e9vale. <\/p>\n

Un concert de Keeley Forsyth et Matthew Bourne est une invitation \u00e0 vous immerger dans un univers sonore o\u00f9 la voix humaine rencontre la profondeur du piano, g\u00e9n\u00e9rant une exp\u00e9rience intime qui explore les limites de l’\u00e9motion et de l’expression artistique. C’est l’occasion d’assister \u00e0 l’alchimie unique entre deux musiciens intuitifs et synchronis\u00e9s, capables de communiquer des v\u00e9rit\u00e9s sinc\u00e8res et vitales avec une \u00e9tonnante \u00e9conomie de moyens. <\/p>\n

——-<\/p>\n

Keeley Forsyth<\/strong>, chanteuse, compositrice et actrice originaire d’Oldham, au Royaume-Uni, s’est forg\u00e9 une carri\u00e8re unique dans le domaine de la musique contemporaine, remarqu\u00e9e pour l’\u00e9motionnalit\u00e9 brute de sa voix unique et son physique saisissant sur sc\u00e8ne. Sa musique, qui oscille entre le classique contemporain, le folk et la musique sacr\u00e9e, explore des th\u00e8mes profonds et sombres, \u00e0 la recherche de v\u00e9rit\u00e9s cach\u00e9es. Keeley Forsyth a collabor\u00e9 avec des artistes tels que Ben Frost et Yann Tiersen, a compos\u00e9 des bandes originales et pr\u00e9pare actuellement un op\u00e9ra. Elle conserve \u00e9galement son r\u00f4le d’actrice, apparaissant dans des films r\u00e9cents tels que Club Zero<\/em> (2023) et le film prim\u00e9 Poor Things<\/em> (2023). <\/p>\n

Matthew Bourne<\/strong> est un pianiste et compositeur britannique acclam\u00e9 pour son approche inventive et exp\u00e9rimentale, qui lui a valu de nombreuses r\u00e9compenses. Il est connu pour avoir r\u00e9cup\u00e9r\u00e9 des pianos endommag\u00e9s dans des projets tels que Harpsichords (2024), et pour ses collaborations avec le London Sinfonietta et ses r\u00e9interpr\u00e9tations de l’\u0153uvre d’Amon Tobin. Sa discographie comprend des albums pour piano solo tels que Montauk Variations et Isotach, ainsi que des projets \u00e9lectroniques tels que Radioland (une r\u00e9interpr\u00e9tation de Kraftwerk) et l’album de synth\u00e9tiseurs moogmemory. <\/p>\n

Keely Forsyth<\/strong> – voix<\/p>\n

Matthew Bourne<\/strong> – piano \/ piano<\/p>\n

Ildefonso Aguilar<\/strong> – effets visuels \/ effets visuels<\/p>\n

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Vid\u00e9o : Cheval – https:\/\/www.youtube.com\/Kelly Forsyth – Cheval<\/a><\/span><\/p>\n

Vid\u00e9o : Tournage LIVE – https:\/\/www.youtube.com\/Kelly Forsyth – Turning LIVE<\/a><\/span><\/p>\n

Audio – https:\/\/open.spotify.com\/Keely Forsyth<\/a><\/span><\/p>\n

Keeley Forsyth<\/strong><\/p>\n

Site web – https:\/\/www.keeleyforsyth.com\/<\/a><\/span><\/p>\n

IG – https:\/\/www.instagram.com\/keeley_forsyth<\/a><\/span><\/p>\n

Facebook – https:\/\/www.facebook.com\/KeeleyForsyth<\/a><\/span><\/p>\n

YouTube – https:\/\/www.youtube.com\/@keeleyforsythoPicial<\/a><\/span><\/p>\n

Matthew Bourne<\/strong><\/p>\n

Site web – https:\/\/www.matthewbourne.com<\/a><\/span><\/p>\n

IG – https:\/\/www.instagram.com\/mortbutane\/#<\/a><\/span><\/p>\n

Facebook – https:\/\/www.facebook.com\/mortbutane<\/a><\/span><\/p>\n

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