“Nowhere else shall we see such a clear creative process like the one we can see in Lanzarote. The island promotes artistic behaviour and a physical approach to pure creation.”
Brian Eno
October 9 to 19
The perfect integration of the new music and the insular volcanic landscape awakened, from the beginning of the festival, the interest of contemporary musicians such as Brian Eno or Michael Brook, among others, making this event become, throughout its thirteen consecutive editions held between 1989 and 2002, one of the most attractive and extraordinary encounters of avant-garde music in the world.
In 2017, after fifteen long years of pause, the Area of Culture of the Cabildo of Lanzarote rescued this innovative musical proposal so demanded by residents and visitors, setting among its objectives, on the one hand, to recover the prestige and cultural impact that an initiative like this means for Lanzarote and, on the other, to turn it into a unique artistic alternative that consolidates the island as a cultural destination of the highest level and with sufficient entity to attract those who intend to discover a unique musical experience in the context of a unique nature and landscape such as Lanzarote.
THE
SCENARIO
Lanzarote is a subtle and outstanding volcanic territory, with extraordinary spaces perfect for cultural manifestations of nature. The combination of the volcanoes and the quiet work of local farmers on a hostile land, helped shape a landscape where there have always been delicate sounds that can be heard by attentive and excited viewers. Therefore, the composition and performance of new music can find in Lanzarote the perfect set, which results in a revealing symbiosis.
Throughout the different editions of the Festival, there have been plenty of natural areas and unique buildings used to hold the concerts of the Festival, but it has been two volcanic bubbles, turned into auditoriums, the ones that have become its main headquarters. The Auditoriums of Jameos del Agua and Cueva de los Verdes, set up as volcanic caves with a perfect symbiosis between art and nature, the senses of viewers are exposed to the most suggestive and innovative sounds.
In addition to these two main venues, new scenic spaces have been incorporated for the development of concerts, such as the Cuervo Volcano, the old quarry of volcanic ash extractions of Tahíche Mountain or the Convents of San Francisco and Santo Domingo in Teguise, as well as the Church of San Ginés, the beach of El Reducto or the Cultural Innovation Center “El Almacén” in Arrecife.
JAMEOS DEL AGUA
CUEVA DE LOS VERDES
CIC EL ALMACEN
CONVENTO DE SANTO DOMINGO
JAMEOS DEL AGUA
CUEVA DE LOS VERDES
CIC EL ALMACEN
CONVENTO DE SANTO DOMINGO
JAMEOS DEL AGUA
“Jameo” is a term used to refer to an opening caused by the collapse of the top of a volcanic tube as a result of the loss of gases built up inside.
Jameos del Agua are located on the inside of the volcanic tube, caused by the eruption of Volcán de la Corona, and named after a lake on the inside that is a unique geological formation, that was created through filtration, as it is below sea level. In this pristine water natural lake, there live several endemic local species, such as Munidopsis polimorpha, a tiny, blind albino crab of unknown origin.
Its environment is protected as Jameos Site of Scientific Interest by the Law of Natural Spaces of the Canary Islands, and it is part of the Volcán and Malpaís de La Corona National Park, as well as Site of Cultural Interest.
The Auditorium of “Jameos del Agua”, main headquarters of the Lanzarote Visual Music Festival, is a spectacular stage space set up on the inside of a volcanic cave, with capacity for 500 people. This is a unique place in the world thanks to its geological features and peculiar acoustic conditions.
CIC EL ALMACEN
CUEVA DE LOS VERDES
CONVENT OF
SANTO DOMINGO